The Roles of minor characters in Hamlet by William Shakespeare - Ophelia Character Analysis

Ophelia Character AnalysisEven as a minor record in the play sm pinpointly townsfolk, the event Ophelia plays a lively part in the develop handst of some(prenominal) the piece and thematic ideas. However, Ophelia is an passing perplex instance as she can be read in many different ways. This in establish ca designs the readers or auditory modality to be more(prenominal) insightful and gain a great deriveing of the plan and thematic ideas in the play such as ?Love and Loyalty,? and ?Madness.? When exploring the fictional character of Ophelia we must take into know personal beliefs, knowledge and exterior criticisms which may affect our course session of the character. For example, if the reader analyses Ophelia?s character from the perspective of feminism, concerned with the equalise rights and fair treatment of women, or historical context, an sense of what it was equal in the full stop of m the play was both scripted and set; their views of the characte r impart differ, which then perk ups the reader to start a more in depth infering of the maculation and papers. Ophelia is present in completely a few scenes of the play. This is repay fitting to the fact that when the play was pen in the Elizabethan period charwomanlys were considered to be very(prenominal) ? personal? sort of people. There muse was to stay home, look later on the family and complete the housework. They were non allowed to transact and and so there argon very few spring chicken-bearing(prenominal) characters in Shakespeare?s plays. If a play did lie down of female characters they were generally played by young boys, which in effect ca employ restrictions and limitations amongst characterisation. development feminism defecates it possible to ge articulate that Ophelia is not to pose as a main character of the play, moreover to act as a ?foil,? to champion the listening see to it the more grievous characters in the play. small town?s al ienation and Ophelia?s feelings of love for ! both marijuana cigarette and her set about are prime examples of the use of Ophelia as a foil. In both instances she is being used to help the audience identify the emotions and discrepancies of village and her pose. Unfortunately, as Ophelia?s bearing is limited it is believed that her character, although important, is seriously developed and therefore provides readers with the opportunity to make up their own judgement. Ophelia can be argued as a character that despite her beauty is weak, frail and slowly controlled. Her privation of self confidence makes her an easy target for Hamlet?s abuse. Ophelia has a very connected family with her brother, Laertes, and buzz off, Polonius, but unfortunately she allows them to submit her how to live her life. An example of this is where Laertes warns Ophelia against having a relationship with Hamlet:For Hamlet, and the dawdling of his favour,Hold it a fashion and a trifle in blood,A regal in the youth of primy nature,Forward, n ot permanent, sweet, not lasting,The perfume and suppliance of a minute,No more. (Act 1: Scene 3 lines 5-10)He suggests to Ophelia that Hamlet may not actually love her, he proficient wants a missy because that is the ?fashionable? thing to do. That is what everyone else his age is doing and therefore it is not avowedly everlasting love. Furthermore, Polonius uses his ?parental power? to move Ophelia that she is a resembling young and doesn?t date that her decision to go with Hamlet would be a bad option. He to a fault explains to Ophelia that as they are noble, continuing her relationship with hamlet pass on affect not only her life but in like manner the lives of her family members:Marry, well bethought. ?Tis told me he hath very oft of lateGiven private sentence to you, and you yourselfHave of your audience been most free and bounteous. If it be so ? as so ?tis prepare on me,And that in way of solicitude ? I must tell youYou do not understand yourself so clearlyAs it behoves my daughter and your honour. What is bet! ween you? Give me up the truth. (Act 1: Scene 3 lines 90-98)These two mails both demonstrate the floor of ?Love and Loyalty.? In both instances Ophelia is being warned against her love for Hamlet. She is swan in the situation of having to choose between her love for Hamlet or her fealty to her family. However, as the play continues so does the situation between ?Love and Loyalty,? and we begin to notice that Ophelia lacks an identity of her own. She is qualified on the men in her life as is evident in Act 3: Scene 2 (line 126), where she narrates ?I think nothing, my Lord.? At this point she has been hurt so poorly and is so confused that she doesn?t consider her thoughts to be important. Unfortunately, as time goes on the conflicts continue and Ophelia is forced to choose subjection over love causing her to go into a state of rabidity. Madness is a theme evident throughout the faultless text. It is evident in Hamlet, Ophelia, Polonius and Laertes. When discussing Op helia?s character, her madness is almost constantly at the centre of controversy. Some people believe that Ophelia?s madness was caused by ?erotomania,? which the Elizabethans referred to as ?female love-melancholy.? Ophelia has also been construe as a young girl who ?felt? too much and mosthow allowed theses feelings to overcome her. It would be quite unprejudiced-minded for such an transaction to taunt a person to madness, plainly as Ophelia was drive mad.

If this was the cause of her madness it suggests that it stemmed from some sort of foiled erotic passion between herself and Hamlet. However, a more k indle suggestion is that Ophelia?s madness was caused! by the death of her father or more importantly, the removal from all the male connections of the hierarchy. Ophelia was invigoration in a patriarchal dry land where women were extremely dependant on men. Once all the men in Ophelia?s life were gone she could not look at as she relied on them for advice and direction. If this is the case Ophelia then becomes the victim. This type of madness no doubt causes a different reaction by the audience toward the character. Instead of being just some lovesick girl who drove herself insane, Ophelia becomes the ?innocent? woman who loved her father so dearly that someone else has caused her grief and impelled her mad. However, when transfer the perspective of a feminist we begin to see the ?madwoman? as a heroine, a powerful figure that rebels against both the family and kindly order. At first glance Ophelia seems like a simplex character. However, an in depth reading of her character proves otherwise. Although Ophelia can be argued as a woman who is weak, frail and ultimately driven to madness by the death of her father and her love for Hamlet, an cause of feminism and historical context helps the audience to better understand Ophelia?s complicated character which can have nine-fold readings. However, as a poorly developed character we are able to make our own judgement and hypothesise the plot and thematic ideas. In essence, Ophelia?s character is just like a book in which you ?choose your own ending.? Her character is both limited and incomplete. Therefore, in order to gain an understanding of the plot and the thematic ideas of, ?Love and Loyalty,? and ?Madness,? we must create a complete perception of Ophelia. However, no matter what interpretation you choose, you will sedate come out in the end with a woman represented poorly. Mabillard, Amanda. Shakespeares Ophelia. Shakespeare Online. 10 Dec. 2000. (11 October.2007) < http://www.shakespeare-online.com/opheliachar.htmlHelena Faucit Martin, Shakespeares Female Characters, blackwood and Sons, Edinburgh, 18! 88. p.7-9Anna Brownell Murphy Jameson, Shakespeares Heroines:Characteristics of Women (1889), AMS Press, brand-new York, 1967. 2000, [On-line]http://www.cliffsnotes.com/WileyCDA/LitNote/Hamlet-Character-Analysis-Ophelia.id-121,pageNum-360.html If you want to get a broad(a) essay, order it on our website: OrderCustomPaper.com

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